Another month has come and gone. So many things to report on!
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First of all, my grandma had the shunt inserted. Shes doing well. Now its a matter of watching the process reverse itself so shes back to as close to normal as possible. Its been a long and bumpy ride, to be sure. Some days are filled with absolute insanity, while others are so close to normal, you really couldnt tell the difference. As for what Ive been doing musically, here comes the rundown.
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When I last wrote, my work centered around music for the Sonic Remixed 2008 project. Collision Chaos Past was finished and sent off. The next track I recorded is a combination of two versions of Sandopolis. The first part is the music similar to how it sounds on the Virtual Sonic CD. Its slow moving with heavy Percussion and has Electric Guitar thrown in. The second half of the track is very much like the music from Sonic & Knuckles. One of the problems plaguing the track was distortion. While arranging and mixing, some of the layers were taken out simply because they really added nothing to the track as a whole. A lot of correction went into the Drums and Cymbals for the same reason. Magically, the distortion issues disappeared. This allowed me to tweak a few Guitar parts and one of the Basses, allowing for a louder level. In the end, the track works great pieced together with an Electric Guitar fade. Unfortunately, unless the project later requires additional tracks, Sandopolis will not be on the Sonic Remixed 2008 release. Seems like a lot of work for nothing right? Not really. Its all in the learning process. ;-)
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The next Sonic track sequenced was Volcano Valley. The beauty of this piece of music is the many layers of instruments. With so many, the creation of a Classical hybrid arrangement became possible. In doing so, the music transforms and transcends. Video game music seems to be lumped into some sort of disposable category for the most part. When anyone can go in and take the music to a whole new level, the depth and creativity not only become more apparent, the true talent of the writers emerges more clearly.
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For example, switching a Synthesizer to Strings created a Neo-Classical base to launch from. Adding a lowered Guitar part as a layer of Cellos sealed the deal. Volcano Valley, in this newly created setting, sounds more like movie soundtrack music while retaining its identity. Look for it later this year on the Sonic Remixed 2008 release.
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The last track prepared for that album is another incredibly fun piece of music, Panic Puppet. Its wild to begin with. When passing my way, it became five times more so. The ending was restructured to have a pause before launching back into the main part of the music. This effect makes the tune more aggressive. Using Electric Guitars for the main instrument backed by a throbbing Rubber Band Bass sound set the music on fire! Its my plan to try to create a video around this one in the near future. For several days, searches have been conducted to find good Sonic video clips. If you know of any, feel free to send links.
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From Sonic back to tidying up loose ends. Some of the leftovers from Technosaur went through transformations of their own in preparation for use in the World Record track being created at the Electromagnetic Impulses network site. What happened to the music was a matter of coming up with varying sounds to add texture. So, the same piece was recorded in several ways; Acoustic Guitar, Piano, Cello Pizzicato, Violin Pizzicato, Tremolophone, and Xylophone. Those all sounded the best to me.
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At this point in time, I once again, foolishly, thought all the music I wanted to create was finished. My sights were turned on setting up a page at SoundSugar.net where I still need to add music. Trouble is, every time I try to upload a track, my browser crashes. MusicForte continued to be my best outlet for physical CD sales. I took a few days to make up another batch of my XENOPHOBIA album to send off to them.
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By this time, creative urges began nagging me once again. For a few days, I kept hearing On The Beautiful Blue Danube in my mind. The urge was for me to record this to fit on AD ASTRA. As I pondered the notion, I realized the urge was so strong because of the movie 2001: A Space Odyssey. This music plays in the scene where the space shuttle is docking with a space station above the Earth.
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As I went off in search of the music, another thought occurred to me. Nothing on AD ASTRA, either by Holst or anyone else, was written for the Moon. Earths Moon has a very powerful effect in astrology, leaving an obvious hole for me to fill in some way. Remember, Holst wrote his Planets Suite about the astrological meanings attached to the planets.
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While seeking out the music for On The Beautiful Blue Danube, I also went out in search of songs about the Moon. One I had hoped to find was Fly Me To The Moon. However, this song didnt have the right feel. The more I searched, the more frustrated I became until ideas of my own began to bloom. My original composition to plop with the others down alongside of Holsts Planets Suite was named Luna - Mirror Of The Soul. The title comes from astrology where the Moon is a reflection of the inner self.
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As I searched for songs about the Moon, I came across a song written sometime in the 1600s by John Playford entitled Goddesses. I thought Id also give this one a try since its sound and arrangement were very similar to Hymn To The Sun and First Delphic Hymn. With three more tracks to work on, my recording sessions really werent finished after all.
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With a renewed sense of energy, I dove into the beauty of On The Beautiful Blue Danube. The first alteration I made to my version was to create a dreamy Keyboard opening leading into Guitars and Orchestra. Some of the other tricks used included using a Harpsichord in the Horn Section, and an Electric Bass with the Bass Section. This created a wonderful play of Electric to Strings and back throughout while, at the same time, lending power to the underlying waltz rhythm. With rare good fortune, this piece of music came together far more easily than I had expected.
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Where On the Beautiful Blue Danube once again serves as an orbital docking point for AD ASTRA, Luna - Mirror Of The Soul combines lower pitched spots to contrast the light and dark and eventually lead into the powerful juggernaut of Mars - The Bringer Of War.
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Luna had a few issues for me to work though, the first being Tempo. It changed a few times before I liked the mood. The second was length. The track ran back and forth between light and dark, to the point of too much repetition. The music took a good editing , leaving only the very best parts in. The first idea I had was to close the music on a punctuated note. But, the more artistic side of me won out in the end. The track closes with a sustained fade that sounds like stardust trailing off in the distance.
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Opening with deep Strings, Luna flows into New Age Synth layers and Electric Guitars. The music majestically sweeps along like a ship across the ocean, combining sound textures with atmospheric moods. Much like a full moon, beauty is the order of the day. Several days worth of work went into getting just the right sound and keeping the track on level with Holsts music.
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The last planned track at this point in time was the John Playford composition Goddesses. For the sake of length, I rearranged the structure slightly. Only one problem part came up. Part of the Percussion reminded me of the sound of clopping horses. Removing that part worked really well because the music sounded better there with Acoustic Guitar and Flute. Once again, I had reached the end of my recording sessions.
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For those of you keeping track, heres the new final track listing for AD ASTRA:
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Disc 1-----
Tiamat (by Rob Astor)-----
The Planet Krypton (by John Williams)-----
Hymn To The Sun (by Mesomedes, c.130 A.D.)-----
Mercury - The Winged Messenger (by Gustov Holst)-----
Venus - The Bringer Of Peace (by Gustov Holst)-----
Transit Of Venus (by John Philip Sousa)-----
First Delphic Hymn (from 130 B.C.)-----
Goddesses (by John Playford)-----
Earth - The Home Planet (by Rob Astor)-----
On The Beautiful Blue Danube (by Johann Strauss)-----
Luna - Mirror Of The Soul (by Rob Astor)-----
Mars - The Bringer Of War (by Gustov Holst)-----
The Asteroid Field (by John Williams)-----
Disc 2-----
Jupiter - The Bringer Of Jollity (by Gustov Holst)-----
Galilean Satellites (by Rob Astor)-----
Saturn - The Bringer Of Old Age (by Gustov Holst)-----
Uranus - The Magician (by Gustov Holst)-----
Oberon Undoes The Spells (by Mendolssohn)-----
Neptune - The Mystic (by Gustov Holst)-----
Pluto - Bringer Of Change (by Rob Astor)-----
Hydra (by Rob Astor)-----
Eris - Bringer Of Discord (by Rob Astor)-----
Sedna - Inuit Mother (by Rob Astor)-----
Nibiru - Planet Of The Crossing (by Rob Astor)-----
Orpheus In The Underworld (by Jacques Offenbach)-----
The rest of what I have to tell you is all about the busy work. ;-) You MySpace readers probably saw that I put six new tracks up in my MySpace player. Be sure to leave your comments! The rest of this past week, Ive been working on getting the rights to legally release cover material. Its an involved process, and it entails some expense. But, I think it will all be well worth the effort when I can release some of my favorite music, made over in my musical image. I just know youre going to love it as much as I do!
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Weve reach the end of another blog. Funny how a months worth of time can be summed up in a few pages of text. Ive been really discouraged lately with my grandmas health and this grind to try and get things on the right track to release cover music this year. If you can find it within your means to send some good vibes my way, Id really appreciate it. Ill try to post another blog soon. Until then, I hope the world is treating you far better than it treats me. :-)
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Rob
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